The film focuses on a task force of special operations Tokyo police officers and their battles with genetically mutated monsters. Tokyo Gore Police is incredibly surreal, alternating between silly and gag-inducing. Gimp suit samurai sword appendage monster? Check.įor many, Japanese media can be narrowly defined as bombastic, colorful, and nonsensical and while it’s a narrow, incorrect observation, those elements are certainly in no short supply. A woman with alligator jaws in place of her lower torso? Check. School girls with mutated knife arms? Check. A twisted cat and mouse thriller that subverts the position of predator and prey, Audition is truly a singular experience. It also challenges the inherent power dynamic between wealthy men and their peers who abuse their position for personal gain. The film explores the trappings of men’s fixation on young women, and the inherent shallowness in trying to love someone you barely know based only on surface-level attraction. What ensues is anything but a predictable love story. A beautiful but shy woman named Asami ( Eihi Shiina) catches his eye, and the two begin their romance. In so doing he ensures that those responding to the advertisement will all be attractive women far younger than himself.
#TV TROPES TOKYO SCHOOL LIFE MOVIE#
Aoyama ( Ryo Ishibashi), a middle aged widower enlists the help of a movie producer friend ( Jun Kunimura) to put out a casting call for a movie that is actually a ruse to find him a new girlfriend. The lasting imagery of Sadako ( Rie Ino) crawling out of a television set is forever cemented into pop culture relevance, and is just as scary two decades after the film was released.ĭirector Takashi Miike is a J-horror legend, and his 1999 horror thriller Audition helped cement him as a mainstay of the genre. What makes Ringu so horrifying is the concept that a movie could have so much power over the lives of its victims, and the creeping suspicion that the very fate is currently happening to you. The film plays with the idea of vengeful ghosts, positing that hatred and anger are such powerful emotions that they can echo long past when someone has died. When a reporter ( Nanako Matsushima) begins investigating rumors of a supernatural videotape with her son ( Rikiya Otaka) and ex-husband ( Hiroyuki Sanada), the root of the legend takes them to a dark and tragic event from the past. Another film that Western audiences will likely recognize, Ringu’s notorious framing device, a cursed videotape that kills it’s viewer seven days later is a unique and endlessly tense narrative tool that instantly puts the movie on a timer.